Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”
片名：夜行客
上映时间： 1975
类型：动作片
导演及编剧严谨的态度，对市场和剧迷的把控是其他导演所缺乏的。
剧情很流畅，人物也很丰满，节奏把握的很好，演员演技爆炸，剧本编写极佳，我不会吝啬我的5星
细节也很到位，整个剧情三观也很正，总体来说，可以和朋友一起看，推荐！
导演以其独特的叙事方式和表现形式，极大地增强了故事的华丽和欣赏感，也使影片的深层意蕴得到升华
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